A craftsman's hands draw a comb through a bath of floating colours, marbled sheets pegged on a line to dry above.

Handmade objects and craftsmanship

Paper Craft and Bookbinding

Paper is a humble and a noble material at once. It is made from linen and hemp rags (true, ancient paper) or from wood cellulose (modern paper), and it was once the object of the highest craftsmanship: bookbinding, the hand-bound book, marbled paper, the notebook built one at a time were arts that lived alongside printing. In Tuscany artisan paper crafts have a very strong tradition, still alive, above all in Firenze, where historic workshops hold together the antiquity of the craft and the contemporaneity of the product.

A city lane with a bindery's door open onto stacks of books, the street opening at its end onto the river and its buildings.

Where

Where it is practised in Tuscany

In Tuscany paper crafts have their capital in Firenze, where from the nineteenth century binderies and signature stationers flourished: Florentine marbled paper — colours that float on water and fix themselves on the sheet in unique patterns — is a mark of the city, exported and copied all over the world. The workshops still active in the historic centre (the Santa Croce area, the Oltrarno) produce marbled papers, hand-bound notebooks, covered boxes, diaries and desk objects to this day. Lucca has a tradition of historic paper mills tied to the territory of the Lucchesia, where fine paper for publishers and booksellers has been made since the Middle Ages (the area of Capannori and Villa Basilica still has working mills, some of them with traditional processes). Pescia, in the province of Pistoia, is home to the Museo della Carta (paper museum) and is a historic centre of paper production — today mainly industrial, but with interesting artisan survivals.

A wooden press with brass screws beside marbled boards, thread, a bone folder, a knife and a jar of paste with its brush.

How

The techniques of the craft

The techniques of the craft are many-sided. Making paper by hand starts from a pulp of rags or cellulose, worked in vats, lifted on the mould (a frame with a sieve), pressed and dried sheet by sheet. Marbling is a technique of colouring on a thickened water surface: the colours spread into complex patterns (combed, "peacock", marble-vein) and are transferred to the paper by contact. Bookbinding includes sewing the book by hand, covering it in paper or leather, decorating the boards with heated tools and gilding with gold leaf. Boxmaking builds boxes, caskets and slipcases from covered board structures. Letterpress printing, the ex libris and calligraphy are related crafts that often live in the same workshops.

In a bindery a man sews sections on a frame by the window, among shelves of bound books and presses on the table.

Now

The craft today

Doing it today is a wager against dematerialisation. Digital has enormously reduced the demand for paper products, and large retailers sell notebooks and diaries at prices the artisan cannot come near. But precisely for that reason the upper segment is vital: whoever is looking for the handmade notebook, real marbled paper, the leather-bound book as an important gift, is willing to pay for genuine quality. The Florentine workshops live largely on discerning tourism — international visitors who recognise the value — and on online sales to foreign markets. Book restoration is another vital strand: libraries, archives and collectors always need expert hands to recover old books.

The producers of this craft

No producer of this craft has yet joined the MANUARTI network. This list opens when the first one does.

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